Sunday, July 24, 2016

Jeffrey Hunter (1926-1969)



Jeffrey Hunter was born Henry Herman McKinnies, Jr. in New Orleans, the only child of a Louisiana sales engineer and his wife. The family moved to Milwaukee in 1930, and young "Hank," as he was known, was reared in Wisconsin.


While still in high school, Hunter acted on Milwaukee radio station WTMJ; this led to summer stock work and then to Chicago theater activity.

Hunter served in the U.S. Navy at Great Lakes Naval Station in Illinois 1945-1946. He then attended Northwestern University in Evanston, Illinois where he received a bachelor’s degree from the School of Speech. He continued his stage appearances and was featured in the 1949 film version of Julius Caesar, which starred Charlton Heston.

Attending UCLA on a scholarship, Hunter was spotted by Hollywood talent scouts while appearing in a school production of "All My Sons" in May of 1950. He made a screen test at Paramount, but was hired by 20th Century Fox where he made his first "mainstream" film appearance in Fox's Fourteen Hours, a film which also served as the debut for Grace Kelly.


Over the next two decades, Jeffrey Hunter would show his versatility as an actor by starring or co-starring in a wide variety of movies – dramas, comedies, westerns, science fiction and war films. He often played the handsome decent, wholesome suitor or husband in domestic contemporary dramas and comedies of the period.

Hunter was married to actress Barbara Rush on December 1, 1950. They had one child, a son, Christopher. Although they were divorced on March 29, 1955, Rush would remember him fondly and said she considered him to be the handsomest man she ever met.

His movie career gained momentum after he co-starred with John Wayne in the John Ford western classic The Searchers (1956). Hunter, who often displayed a wry sense of humor, is quoted as saying in an interview, "I was told I had arrived when, during the filming of The Searchers, they gave me almost as much ammunition as they gave John Wayne."

On July 7, 1957, Hunter married Joan "Dusty" Bartlett, a former model. They had two sons - Todd and Scott. He also adopted Steele, Dusty’s son from a previous marriage. This marriage ended in divorce in 1967.

In 1961, Hunter was cast in the difficult and challenging role of Jesus Christ in King of Kings. His reverent performance earned Hunter considerable praise. According to director Nicholas Ray's biography, the script was approved by the Vatican before filming was begun.

In 1963, Hunter signed a two-year contract with Warner Brothers. At Warners, he starred in the western TV series "Temple Houston". Nearly 30 episodes of the hour-long series were filmed before the series was canceled in 1964. Hunter’s 1963 film The Man From Galveston was originally the pilot episode of this television series.


Hunter was cast as Captain Christopher Pike of the U.S.S. Enterprise in the original "Star Trek" television pilot, "The Cage," in 1964, but turned down the option to make an unprecedented second pilot and continue the role in the series. Footage from "The Cage" was later incorporated into a two-part episode in "Star Trek’s" first season.

During the next several years, he acted in several films in Europe and Asia.

After a whirlwind courtship, Hunter married actress Emily McLaughlin in February 1969. She is best known for her role as Nurse Jessie Brewer on the ABC soap opera "General Hospital" from 1963 until her death in 1990.

In 1969, while filming ¡Viva America! in Spain, Jeffrey Hunter was accidentally injured in an explosion on the set. Soon afterward he began complaining of dizziness and headaches. Shortly afterward, on May 27th, 1969, he suffered a cerebral hemorrhage and several blows to the head, and died during surgery to repair the skull fracture; the precise circumstances that caused his death have been the subject of debate since that time. Jeffrey Hunter was 42 years of age.

Jean Arthur (1900-1991)


Jean Arthur

Born: October 17, 1900 in Plattsburgh, New York, USA
Died: June 19, 1991 in Carmel, California, USA

~Biography~
The daughter of a commercial artist, Jean Arthur became a model early in life, then went on to work in 
films. Whatever self-confidence she may have built up was dashed when she was removed from the 
starring role of Temple of Venus (1923) after a few days of shooting. It was the first of many 
disappointments for the young actress, but she persevered and, by 1928, was being given co-starring 
roles at Paramount Pictures. Arthur's curious voice, best described as possessing a lilting crack, 
ensured her work in talkies, but she was seldom used to full advantage in the early '30s. Dissatisfied 
with the vapid ingenue, society debutante, and damsel-in-distress parts she was getting (though she 
was chillingly effective as a murderess in 1930's The Greene Murder Case), Arthur left films for 
Broadway in 1932 to appear in Foreign Affairs. In 1934, she signed with Columbia Pictures, where, at 
long last, her gift for combining fast-paced verbal comedy with truly moving pathos was fully utilized. 
She was lucky enough to work with some of the most accomplished directors in Hollywood: Frank 
Capra (Mr. Deeds Goes to Town [1936], You Can't Take It With You [1938], Mr. Smith Goes to 
Washington [1939]); John Ford (The Whole Town's Talking [1935]); and Howard Hawks (Only Angels 
Have Wings [1937]). Mercurial in her attitudes, terribly nervous both before and after filming a scene 
-- she often threw up after her scene was finished -- and so painfully shy that it was sometimes 
difficult for her to show up, she was equally fortunate that her co-workers were patient and 
understanding with her .
Arthur could become hysterical when besieged by fans, and aloof and nonresponsive to reporters. In 
1943, she received her only Oscar nomination for The More the Merrier (1943), the second of her two 
great '40s films directed by George Stevens (Talk of the Town [1942] was the first). After her contract 
with Columbia ended, she tried and failed to become her own producer. She signed to star in the 1946 
Broadway play Born Yesterday -- only to succumb to a debilitating case of stage fright, forcing the 
producers to replace her at virtually the last moment with Judy Holliday. After the forgettable comedy 
The Impatient Years in 1944, Arthur made only two more films: Billy Wilder's A Foreign Affair (1948), 
and George Stevens' classic Shane (1952). She also played the lead in Leonard Bernstein's 1950 
musical version of Peter Pan, which co-starred Boris Karloff as Captain Hook. In the early '60s, the 
extremely reclusive Arthur tentatively returned to show business with a few stage appearances and as 
an attorney on ill-advised 1966 TV sitcom, The Jean Arthur Show, which was mercifully canceled by 
mid-season. Surprisingly, the ultra-introverted Arthur later decided to tackle the extroverted 
profession of teaching drama, first at Vassar College and then the North Carolina School of the Arts; 
one of her students at North Carolina remembered Arthur as "odd" and her lectures as somewhat 
whimsical and rambling. Retiring for good in 1972, she retreated to her ocean home in Carmel, CA, 
steadfastly refusing interviews until her resistance was broken down by the author of a book on her 
one-time director Frank Capra. She died in 1991.

Biography by Hal Erickson, AllMovie.com
~Silent Filmography~
Stairs of Sand (1929) .... Ruth Hutt
Sins of the Fathers (1928) .... Mary Spengler
Brotherly Love (1928) .... Mary
Warming Up (1928) .... Mary Post
Easy Come, Easy Go (1928)
Wallflowers (1928) .... Sandra
Flying Luck (1927) .... The Girl
The Masked Menace (1927) .... Faith
The Poor Nut (1927) .... Margie Blake
Bigger and Better Blondes (1927) (B-19)
Horse Shoes (1927) .... Miss Baker
The Broken Gate (1927) .... Ruth Hale
Hello Lafayette (1927)
... aka Lafayette, Where Are We? (USA)
Husband Hunters (1927) .... Lettie Crane
Winners of the Wilderness (1927) (uncredited) .... Bit Role
The Block Signal (1926) .... Grace Ryan
The College Boob (1926) .... Angela Boothby
The Cowboy Cop (1926) .... Virginia Selby
Twisted Triggers (1926) .... Ruth Regan
Lightning Bill (1926) .... Marie Denton
Double Daring (1926) .... Marie Wells
Ridin' Rivals (1926) .... Ruth Burroughs
The Mad Racer (1926)
Eight-Cylinder Bull (1926)
The Fighting Cheat (1926) .... Ruth Wells
Born to Battle (1926) .... Eunice Morgan
The Roaring Rider (1926) (as Miss Jean Arthur) .... Mary Watkins
Under Fire (1926) .... Margaret Cranston
Thundering Through (1925) .... Ruth Burroughs
... aka A Modern Knight (UK)
The Hurricane Horseman (1925) .... June Mathews
A Man of Nerve (1925) .... Loria Gatlin
Tearin' Loose (1925) .... Sally Harris
The Fighting Smile (1925) .... Rose Craddock
The Drug Store Cowboy (1925) .... Jean
Seven Chances (1925) (uncredited) .... Receptionist at country club
Travelin' Fast (1924) .... Betty Conway
Thundering Romance (1924) .... Mary Watkins
Bringin' Home the Bacon (1924) .... Nancy Norton
Fast and Fearless (1924) .... Mary Brown
Biff Bang Buddy (1924) .... Bonnie Norton
The Iron Horse (1924) (uncredited) .... Reporter
Wine of Youth (1924) (uncredited) .... Automobile Reveler
The Powerful Eye (1924)
Case Dismissed (1924)
Spring Fever (1923/II)
Somebody Lied (1923)
The Temple of Venus (1923) (uncredited) .... Bit Part
Cameo Kirby (1923) .... Ann Playdell